One thing I really love about being Catholic is all the feast days - there are so many reasons to celebrate during the year. Today's feast day is one of my favorites, and a great break from all the obsessing over recessions, coalition coups, corporate bailouts, Iggy-trivia, ad nauseum.

Today the Church celebrates the feast day of Our Lady of Guadalupe. The story surrounding this holy image of our Blessed Mother is repeated below, having been reported here on December 9, the feast day of Saint Juan Diego.
On December 9, 1531, Juan Diego, a 57-year-old Aztec, was taking his daily route to Mass. Walking by Tepeyac Hill, he heard beautiful music, like choirs of angels singing. He stopped to listen. The music stopped, but he then heard the sweetest voice he’d ever heard beckoning him, “Juan, Juan Diego, Juanito!” There before him stood a most beautiful young woman, a Mexican girl who looked like an Aztec princess. She was dressed in an embroidered scarlet gown. Over her head and shoulders hung a deep jade-colored mantle covered with golden stars and she was standing on a maroon crescent, held above the ground by an angel.
“Dear little son, I love you,” she said. “I want you to know who I am. I am the ever-Virgin Mary, Mother of the true God who gives life.” She then requested that Juan go to the bishop and request that a chapel be built on the hill for the Mexican natives for whom she expressed a special love. Juan rushed to do as she asked, and was able to get in to see the bishop. He was, however, dismissed without an answer.
On his second attempt the bishop asked him to bring proof that he had indeed seen the Mother of God. Juan left excited, feeling sure that the Blessed Mother would give him this proof. The next morning, though, before Juan could go and meet with the Virgin, he found his only surviving relative, an uncle, seriously ill. Juan felt his first duty was to bring a priest to his dying uncle and so he decided to take another route so as not to see the Virgin and thus be delayed. But the Blessed Mother intercepted him on the path and assured him that his uncle would recover. She then instructed him to gather flowers that were growing on the hilltop in his tilma (shirt) and carry them to the bishop. The Madonna arranged the roses, tied the corners and asked him not to open his shirt until he reached the bishop.
When Juan stood before the bishop and untied his shirt, releasing the flowers, the bishop didn’t seem to notice them. Instead, staring at Juan’s shirt, he fell to his knees with tears streaming down his face. Perplexed, Juan looked down at his shirt and saw that the Virgin had given him a sign even more miraculous than roses growing on the side of a mountain in winter. She had left an image of herself on his tilma, looking exactly as he had seen her. And when Juan returned home, he found that his uncle’s health had been completely restored. The Madonna had appeared to his uncle, as well.
The chapel that the Virgin requested was quickly built. The image she left has been given the name of Our Lady of Guadalupe. In the following seven years after this apparition, eight million formerly pagan Aztecs were baptized and became Christians. Today an average of 1,500 pilgrims kneel daily before the miraculous tilma — which has sustained its perfect image for almost five hundred years — at the new Basilica of Our Lady of Guadalupe in Mexico City.
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And the image itself is packed with symbolism, as
The Happy Catholic explains:
As with all good Catholic images there is abundant symbolism that was specifically designed to speak to the hearts of the people to whom she brought her message ... the Aztecs. I remember when our priest put out a flyer about this and I was just knocked out at how meaningful every single thing in the image is. I really like this explanation.
The miraculous image produced on the apron or tilma of Blessed Juan Diego is rich in symbolism. The aureole or luminous light surrounding the Lady is reminiscent of the "woman clothed with the sun" of Rev. 12:1. The light is also a sign of the power of God who has sanctified and blessed the one who appears. The rays of the sun would also be recognized by the native people as a symbol of their highest god, Huitzilopochtli. Thus, the lady comes forth hiding but not extinguishing the power of the sun. She is now going to announce the God who is greater than their sun god.
The Lady is standing upon the moon. Again, the symbolism is that of the woman of Rev. 12:1 who has the "moon under her feet". The moon for the Meso-Americans was the god of the night. By standing on the moon, she shows that she is more powerful than the god of darkness. However, in Christian iconography the crescent moon under the Madonna's feet is usually a symbol of her perpetual virginity, and sometimes it can refer to her Immaculate Conception or Assumption.
The eyes of Our lady of Guadalupe are looking down with humility and compassion. This was a sign to the native people that she was not a god since in their iconography the gods stare straight ahead with their eyes wide open. We can only imagine how tenderly her eyes looked upon Blessed Juan Diego when she said: " Do not be troubled or weighed down with grief -- Am I not here who am your Mother?"
The angel supporting the Lady testifies to her royalty. To the Meso-American Indians only kings, queens and other dignitaries would be carried on the shoulders of someone. The angel is transporting the Lady to the people as a sign that a new age has come.
The mantle of the Lady is blue-green or turquoise. To the native people, this was the color of the gods and of royalty. It was also the color of the natural forces of life and fecundity. In Christian art, blue is symbolic of eternity and immortality. In Judaism, it was the color of the robe of the high priest. The limbus or gold border of her mantle is another sign of nobility.
The stars on the Lady's mantle shows that she comes from heaven. She comes as the Queen of Heaven but with the eyes of a humble and loving mother. The stars also are a sign of the supernatural character of the image. The research of Fr. Mario Rojas Sanchez and Dr. Juan Homero Hernandez Illescas of Mexico (published in 1983) shows that the stars on the Lady's mantle in the image are exactly as the stars of the winter solstice appeared before dawn on the morning of December 12, 1531.
The color of the Madonna's dress is rose or pale-red. Some have interpreted this as the color of dawn symbolizing the beginning of a new era. Others point to the red as a sign of martyrdom for the faith and divine love.
The gold-encircled cross brooch under the neck of the Lady's robe is a symbol of sanctity.
The girdle or bow around her waist is a sign of her virginity, but it also has several other meanings. The bow appears as a four-petaled flower. To the native Indians this was the nahui ollin, the flower of the sun, a symbol of plenitude. The cross-shaped flower was also connected with the cross-sticks which produce fire. For them, this was the symbol of fecundity and new life. The high position of the bow and the slight swelling of the abdomen show that the Lady is "with child". According to Dr. Carlos Fernandez Del Castillo, a leading Mexican obstetrician, the Lady appears almost ready to give birth with the infant head down resting vertically. This would further solidify her identification with the woman of Rev. 12 who is about to give birth.
The link for the above excerpt is now dead. However, you can read about this apparition of Our Lady in more depth here.
Some more about conditions in Mexico at the time Our Lady appeared as well as a prayer for abortion victims can be read at Ave Maria.
The Curt Jester has some myth-busters about this apparition, which he hastens to assure us he does regard as a miraculous event. However, it is a good reminder that it is just too tempting sometimes to make a miraculous thing even better by embellishing ... tch, tch, tch.